![]() “These feminine characters’ gendered demarcations were shown through sexualized attributes such as breasts and curves, as well as feminine clothing, hairstyles, and long eyelashes. portrayed them as sexualized broads and dames,” she continued. Whereas Disney portrayed its young women as conservative and beautiful damsels, Warner Bros. animators transformed their cartoons into a cacophony of the surreal. To compete with the overwhelming appeal of the symphonic Disney style of sentimental and cute, rival Warner Bros. ![]() “This image fitted into Disney’s feminine triptych, perpetuating heteronormative gender coding in the form of the princess, the witch, and the fairy godmother. of sociology, writes in her paper: “Disney’s pedagogy and gender coding set the stage for the princess master narrative that has come to be associated with animated women young, thin, demure, attractive, orphaned heroines and their cute animal friends who passively await rescue from an unknown prince.” Surprisingly, there was already some research done on the topic.
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